A Tale of Two Timelines: Uncovering History in Hafsa Zayyan’s We Are All Birds of Uganda
- Jul 21, 2022
- 8 min
Ms Marvel Review: How Identity Became Kamala Khan’s Superpower
- Jul 3, 2022
- 6 min
The Right and Wrong Type of Victim: Analysing Mae Martin’s Feel Good post-Amber Heard
- Jun 19, 2022
- 1 min
Queer South Asian books for Pride Month 2022
- May 22, 2022
- 6 min
Three Women Who Shaped Love: A Review of Shyam Benegal’s The Seventh Horse of the Sun
- Apr 23, 2022
- 4 min
The Tragic Fate of Trying to Escape: A Review of Neeraj Ghaywan’s Masaan
- Apr 3, 2022
- 5 min
A Look into the Intergenerational Family: A Review of Archana Phadke’s About Love
- Mar 25, 2022
- 6 min
Meet the Sharma Sisters: Bridgerton Season Two Takes on Duty versus Desire
- Dec 6, 2021
- 6 min
A Gift That Speaks a Thousand Words: Reading Burnt Sugar with my Mother
- Jul 29, 2021
- 8 min
The Inconvenient Writers' Room
- Jul 4, 2021
- 7 min
Love as a Revolution: Reclaiming Media Narratives by Defying Social Norms
- Jun 13, 2021
- 6 min
The Disciple: A Severe Lesson in Balance by Chaitanya Tamhane
- Apr 18, 2021
- 7 min
What Happens When Movies are Produced Past their ‘Best Before’ Date: A Review of Amy Poehler’s Moxie
- Mar 21, 2021
- 6 min
On Bechdel Tests and Bindis: Lessons for Bollywood from its Southern Siblings
- Feb 24, 2021
- 5 min
Why Jeo Baby’s “The Great Indian Kitchen” is a timely reminder of unequal labour structures at home
- Jan 27, 2021
- 9 min
From Regency to Reality: Viewing South Asian Culture from the Mirror of Bridgerton
- Jan 13, 2021
- 5 min
Redefines the Archetypical Tamil Alpha hero: Suriya in Soorarai Pottru
- Dec 16, 2020
- 6 min
Star-Crossed Lovers on the Secular Streets of Mumbai: Gitanjali Rao on her film Bombay Rose
- Nov 22, 2020
- 9 min
Feminist and Lovely: A Casting Call for Male (Role)Models in Supporting Roles
- Oct 18, 2020
- 10 min
Panikar and Nawab on their groundbreaking film “Bodies of Desire”