From its title alone, Aryan Khan’s Bastards of Bollywood  announces itself as both provocation and inheritance. Skepticism was inevitable: here was Shah Rukh Khan’s son stepping into the arena, trailers leaning heavily on his father’s aura, and SRK himself fronting the marketing, confirming the critique that haunts every star child: a debut cushioned by privilege. The show itself, though, is far stranger, sharper, and more self-aware than its marketing let on. This is is not